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JEAN*ANN

 

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The Jeanann Hand Band

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For bookings call 615-300-4263 or email: jeanann@jeanannhand.com.

Jean*Ann Hand fountain photoP R O F I L E

Raised on rootsy country classics and good old rock & roll, Jeanann is more likely to be caught singing than speaking. Songwriting never seemed special to her; she just thought everybody did it, just like everybody wanted to get up and sing in front of people too. Growing up, she dabbled in a lot of different genres and media, until just a few years ago when she unlocked something inside that brought forth the collection of songs she shares here. In her late teens, she discovered the art of recording and has since grown to be passionately in love with both the raw, primal energy of live performance and the intimate, aural-bonzai-cultivation of studio work as well. She's carried a guitar around since she was 14 and will play it if you ask her to. She usually plays it alone, but things change. "Right now it's a pretty black Ibanez AEG10E. I think it likes me."

if you happen to catch her in the midst of her greatest passions of writing, performing, or recording, you'll see her going at it as indulgently as a momma indulges a precious, precious child. Laughter and smiles come so easily to her, it's nearly startling to watch her slow down and pour herself into the moments in song where she shares with you some deep wrenching of the soul you know she'd only share with her most intimate friends. As a listener, that's what she wants to make of you. Grab this hand and you won't want to let go.

Jean*Ann just released her latest country CD, "Unapologize." On it is the award-winnning "Daddy's Arms," which took first place in the Christian category of the Great American Song Contest in 2003. The ballad is perhaps dearest to Jeanann, since it was a dedication to her own father, who passed away from lung cancer in June of 2006. "I gave the song to him as a Christmas present a few years ago. It represents the love I know he had for me as well as the faith with which he and my mother blessed me."


Other original songs on the album, like the relationship-wise "Unapologize," the sassy, bluesy "Mercenary Mary," and the honky-tonk shuffle "Hold Me In Your Heart" have already been leaked worldwide through traditional and internet radio.

Having released several Christian recordings over the past 10 years, some solo and some with her husband Joe (joehand.com), Jean*Ann's already enjoyed worldwide exposure as the writer and performer of the song "Life on the Rock," the theme song for a weekly program on the Eternal Word Television Network. "The song was a track on my very first CD, a solo project produced by Joe. He wrote it with me and sings the current, updated version of the song they use for the program now. It's been so awesome to have folks from all over the world, from small town-America all the way to Quatar writing to us about that song. It's gotten us invitations to just about everywhere," Jean*Ann says. She is currently compiling all of her material from her prior 5 Christian CD's on to one solo CD project. Some of that material can be heard at myspace.com/jeanannhandmusic.

Jean*Ann admits to being asked if she's choosing country/rock music over Christian music, but she earnestly confesses, "I can't really draw a line between the country/rock me and the Christian music me. The country/rock me still loves, loves, loves to sing praise and worship music. I think it's part of what we are created to do, regardless of our other occupations. I write & sing about what's meaningful to me. I can't do anything I don't believe in. I've been writing since I've known how to spell. Since the beginning, I've always written spiritual material and I've always written secular material. So when I'm asked that question, it's almost like a question I don't understand, because there's never been a dividing line."

With the imminent release of her first full-length country/rock CD, Jean*Ann will continue sharing her music worldwide. She's sung in nearly every state in the nation as well as in Canada and New Zealand, performing at large venues like the Mid America Trucking Convention in Louisville, KY and the Orange Blossom Festival in Cooper City, FL as well as at smaller, more intimate settings like the legendary honky tonks on Nashville's lower Broadway.

For more information, contact management@jeanannhand.com or call 615-300-4263.



 

Jean*Ann says:
"Ever since I can remember, I was always looking for an audience. I'm pretty sure it was annoying to my siblings, but they made good use of it in time. My older sister would prank call houses on weekends, telling the person who answered the phone that her sister wants to be a singer and would you please listen to her and tell us what you think? And I unquestioningly would take hold of the phone and belt out "America the Beautiful" or some other patriotic song I learned in kindergarten. I don't remember what kind of responses we got, or if anyone actually stayed on the phone to listen, but I'm pretty sure I enjoyed it."

Musical influences:
Loretta Lynn, Lyle Lovett, John Denver, Willie Nelson, Johnny Cash, Bill Monroe, Patty Loveless, Dolly Parton, The Eagles.

On Performing:
"I am most comfortable when I am on stage. It's there that I feel I'm exactly where I am supposed to be. I'm at my most honest and least contrived. That's probably not healthy, but it's the truth."

On Songwriting:
"Whether I'm writing from personal experience, or about someone I've met, or I'm just making something up, each song is its own drama, each performance is another life. I love that. I'm not good with heart-to-heart conversations. But with a song, I can tell you everything."

Proudest Moment:
Winning Christian Song of the Year in the 2003 Great American Song Contest with a song that I wrote called "Daddy's Arms," based on a real life experience with my dad.

 

Joe & I recently did a concert at the grade school from which I graduated, Nativity School in Hollywood, FL. The Glee Club was the best part of school for me when I was there. Ms. Szczepanik, the Glee Club director, is still there. It was so exciting to be able to go back and share with the kids the gifts she helped nurture when I went to school there. There were other teachers there who had been there when my sister & I were students. It was weird because I didn't know what to call them. I was still calling them "Miss So-and-so" because it just didn't feel right using their first names.

I worked on this gambling ship sailing out of the Port of Miami, singing & dancing in this "Vegas-style" Revue. Feathers, sequins, huge, stupid-looking head-pieces...dancing in heels while the boat's swaying to and fro. It was awful. Truly awful. I was the female lead & had these, like, 6' tall girls dancing behind me. I'm not even 5'3" so it must have looked pretty weird.

Non-paying? I was a singing dove in a school Christmas pageant. It was cool, but I was kind of envious of my little sister who was playing an angel. She had a prettier costume. Paying: After spending a lot of time at open-mic nights at this very "rustic" bar in Ft. Lauderdale (owned by Bobby Riggs), I was hired to play for happy hours a couple of nights a week. Ah, the glamour.

 
Well, first there's my husband, Joe. He's just amazing. There's nothing he can't do and do really well. Fantastic writer. Super-human ears. A remarkable voice that just reaches right into your soul.
Favorite artists to whom I am not married...I'm a huge fan of Lyle Lovett. I went through a phase during which I listened to "Road to Ensenada" like a 3-year-old with a Barney tape. I could still listen to it incessantly and enjoy it. He makes things interesting.
To me, the Dixie Chicks are the most exciting thing to happen in commercial music in decades. Just awesome. I also love Sheryl Crow. And Norah Jones.
The Eagles were a major influence on me when I didn't even know I was being infuenced. They taught me a lot about song structure. And Don Henley's voice wraps around me like a big warm puffy comforter.
I love Leonard Cohen's writing.
And I've lately been on a Who kick.
 

 

 

 

   
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